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"The anger and action aimed at the statues are reminiscent of recent controversies over two prominent artworks..."

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Title : "The anger and action aimed at the statues are reminiscent of recent controversies over two prominent artworks..."
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"The anger and action aimed at the statues are reminiscent of recent controversies over two prominent artworks..."

"... Dana Schutz’s painting 'Open Casket' depicting Emmett Till, the murdered African-American teenager, in the Whitney Biennial, and Sam Durant’s sculpture gallows 'Scaffold,' at the Walker Art Center’s sculpture garden, which was denounced by Native American groups for recalling an act of genocide. Protesters objected to both pieces on racial, ethnic, and historical grounds and called for their removal or destruction. Neither work celebrated the Confederacy or slavery, however, and both were created as art rather than as public memorials like some of the statues now being removed."

Created as art? What does that even mean? They were political and intentionally so.

The passage is from "Trump Aside, Artists and Preservationists Debate the Rush to Topple Statues" (NYT).

Both "Open Casket" and "Scaffold" were discussed on the blog. Here:
But why would the Whitney choose ["Open Casket"] for its vaunted biennial? You could say that the Whitney should want art that challenges us, but this is simply bad. The historical photograph speaks for itself. What did Schutz contribute with her simplified and smeared paint job?
And here:
What were the mental processes of the elite arts people who decided this was a good idea? Now, they have to backtrack, because their mistake was so bad and they want to salvage their reputation. They're dismantling the thing they should never have put up. That's not censorship. That's belated shame.
Also from the NYT article:
[Some] argue that removing a statue from its place of origin diminishes the power of its historical significance. “The meanings and the history that we are able to draw from them in a different site, especially a sort of sanitized site like a museum, are not going to be the same,” said Michele H. Bogart, a professor at Stony Brook University. “That is a historical loss.”
This is an important point: Don't sanitize the history. Some people say the history remains the same when the statue is taken down. They're probably thinking of the history of the Civil War. But there's also the history of putting up monuments.

The statues were put up by white people who wanted to express something, and they are now being taken down because white people are ashamed of what they expressed back then. They want to delete the old evidence and use the deletion as the creation of new evidence — evidence of how kindly white people really are. Why should white people have such an easy time covering up their shame? Removing the statues can be portrayed as a kindness toward black people, but critical race theory teaches us to presume that what white people do they do for themselves.


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