"While you’re making marks and drawing, pay attention to all the physical feedback you’re getting from your hand, wrist, arm, ears, your sense of smell and touch." - Hallo friendsINFO TODAY, In the article you read this time with the title "While you’re making marks and drawing, pay attention to all the physical feedback you’re getting from your hand, wrist, arm, ears, your sense of smell and touch.", We have prepared this article for you to read and retrieve information therein. Hopefully the contents of postings Article economy, Article health, Article hobby, Article News, Article politics, Article sports, We write this you can understand. Alright, good read.

Title : "While you’re making marks and drawing, pay attention to all the physical feedback you’re getting from your hand, wrist, arm, ears, your sense of smell and touch."
link : "While you’re making marks and drawing, pay attention to all the physical feedback you’re getting from your hand, wrist, arm, ears, your sense of smell and touch."

"While you’re making marks and drawing, pay attention to all the physical feedback you’re getting from your hand, wrist, arm, ears, your sense of smell and touch."

"How long can your mark go before you seem to need to lift the pencil and make a different mark? Make those marks shorter or longer. Change the ways you make them at all, wrap your fingers in fabric to change your touch, try your other hand to see what it does. All these things are telling you something. Get very quiet inside yourself and pay attention to everything you’re experiencing. Don’t think good or bad. Think useful, pleasurable, strange. Hide secrets in your work. Dance with these experiences, collaborate with them. They’re the leader; you follow. Soon you’ll be making up steps too, doing visual calypsos all your own — ungainly, awkward, or not. Who cares? You’ll be dancing to the music of art. Carry a sketchbook with you at all times. Cover a one-by-one-foot piece of paper with marks. But don’t just fill the whole page border to border, edge to edge. (Way too easy.) Think about what shapes, forms, structures, configurations, details, sweeps, buildups, dispersals, and compositions appeal to you."

From "Lesson 6: Start With a Pencil" in "How to Be an Artist 33 rules to take you from clueless amateur to generational talent (or at least help you live life a little more creatively)" by Jeffrey Saltz (New York Magazine).

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